{"id":15298,"date":"2019-01-22T14:50:04","date_gmt":"2019-01-22T14:50:04","guid":{"rendered":"https:\/\/cms.cullberg.com\/archived_performance\/word-of-mouth\/"},"modified":"2024-06-27T12:15:55","modified_gmt":"2024-06-27T12:15:55","slug":"word-of-mouth","status":"publish","type":"archived_performance","link":"https:\/\/cms.cullberg.com\/en\/archived_performance\/word-of-mouth\/","title":{"rendered":"Word of Mouth"},"content":{"rendered":"<p class=\"p1\">This work was created in the context of Cullberg to Come, an initiative to spearhead a new generation of dancers, choreographers and public. It was a co-production with Sm\u00e5lands Musik &amp; Teater.<\/p>\n<p class=\"p1\">\u201c<i>Word of Mouth<\/i> is a staged investigation of aesthetic judgment as a philosophical category and as a concrete practice. The initial impetus for the project were two books by German philosopher andtheorist Christoph Menke: <i>Force<\/i> and <i>The Power of Judgment<\/i>. Menke maps out a fundamental concept of aesthetics in western thought and its requisite effect on history and art, and furthermore how we construct the notion of the subject via its existence and praxis.<\/p>\n<p class=\"p1\">It felt important to look into this as a performer and choreographer. Loosely borrowing as dramaturgical structure a triple negation set out by Johann Gottfried von Herder, the piece proposes a series of examples of what aesthetics is <i>not<\/i>. Each example, however, points simultaneously to its opposite (the negation of its negation) giving rise to a playful gap where the performers and public can question their individual and collective relationship to the processes that underlie the practice of aesthetic judgment itself. How, and maybe more importantly, <i>where<\/i> does aesthetic judgment reside?<\/p>\n<p class=\"p1\">Coffee is included.\u201d<\/p>\n<p class=\"p1\"><span class=\"s1\">\u2013 <\/span>Tilman<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This work was created in the context of Cullberg to Come, an initiative to spearhead a new generation of dancers, choreographers and public. It was a co-production with Sm\u00e5lands Musik &amp; Teater. \u201cWord of Mouth is a staged investigation of aesthetic judgment as a philosophical category and as a concrete practice. The initial impetus for [&hellip;]<\/p>\n","protected":false},"featured_media":1842,"template":"","class_list":["post-15298","archived_performance","type-archived_performance","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/archived_performance\/15298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/archived_performance"}],"about":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/types\/archived_performance"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/media\/1842"}],"wp:attachment":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/media?parent=15298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}