{"id":17700,"date":"2019-01-22T14:51:47","date_gmt":"2019-01-22T14:51:47","guid":{"rendered":"https:\/\/cms.cullberg.com\/archived_performance\/parken\/"},"modified":"2026-05-25T10:06:41","modified_gmt":"2026-05-25T10:06:41","slug":"parken","status":"publish","type":"archived_performance","link":"https:\/\/cms.cullberg.com\/en\/archived_performance\/parken\/","title":{"rendered":"Parken (The Park)"},"content":{"rendered":"<p class=\"p1\">What is a park? Something between jungle and garden, nature and culture, the wild and the tame. A human? If park could be perceived as an image of the soul, as an inner landscape, then yes a lot can happen there. And not always what you expect.<\/p>\n<p class=\"p1\">Mats Ek on The Park:<\/p>\n<p class=\"p1\">&#8220;A park: the lungs of a city, a patch of disciplined nature with straight lines and vegetation trimmed like geometric figures, friendly and lush greenery coupled with messy angles and hidden corners. A park, between jungle and garden, between nature and culture, between the wild and the tamed. Much like a human being. The park could be seen as a picture of the soul, of the innards of a human being.&#8221;<\/p>\n<p class=\"p1\">Mats Ek believes that these reflections began on one of the many mornings he passed Humleg\u00e5rden (a large open green area in central Stockholm) on his way to work over a twelve year period. <i>The Park <\/i>is made up of nine episodes, nine different short ballets with varying characters and content, comprising pieces of our lives.<\/p>\n<p class=\"p1\">&#8220;In all the scenes there is a charged relationship between destructive forces and life affirming ones, moving forward with different emphasis on one or the other,&#8221; says Mats Ek. <i>The Park <\/i>as an entity also changes its meaning,at once a forest but then the trunks of trees can transform into the pillars of a ballroom. One can see <i>The Park<\/i> as a continuation of the work <i>Eldstad<\/i>, where the setting is the only cohesive element, while its significance is ambiguousand multifaceted. Where <i>Eldstad<\/i> was open for a continuation, a work in progress, <i>The Park<\/i>, on the other hand, was from the outset a unified entity.<\/p>\n<p class=\"p1\">Marie-Louise de Geer Bergenstr\u00e5hle created the scenography, the sixth collaboration between herself and Mats Ek.<\/p>\n<p class=\"p1\">The composers whose music is used as many as <i>The Park<\/i>\u2019s episodes: Camille Saint-Saens, Ingvar Lidholm, Mikis Theodorakis, Richard Wagner, Jean Sibelius, Arne Nordheim, Carl Nielsen and George Elkin.<\/p>\n<p class=\"p1\">The environment, the park, is the only unifying element. In it two figures appear consistently: an Edward the Black Prince character, a classic embodiment of a romantic prince seeking his bride to be, and a municipal worker who sets things right and tidies up.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>What is a park? Something between jungle and garden, nature and culture, the wild and the tame. A human? If park could be perceived as an image of the soul, as an inner landscape, then yes a lot can happen there. And not always what you expect. Mats Ek on The Park: &#8220;A park: the [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-17700","archived_performance","type-archived_performance","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/archived_performance\/17700","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/archived_performance"}],"about":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/types\/archived_performance"}],"wp:attachment":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/media?parent=17700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}