\u00d6ver Bord<\/i> (Over Board) premiered in the autumn of 1996 and was Linus Tunstr\u00f6m’s first work for the Cullberg Ballet. Following the opening in V\u00e4ster\u00e5s, Sweden, Martin Nystr\u00f6m wrote the following in Dagens Nyheter<\/p>\n
(Swedish national daily newspaper):<\/p>\n
“\u00d6ver Bord<\/i> is, finally, a tribute to the transformative magic of performance as a genre. An abracadabra toward what is perceived as locked into place, and a pair of rosey wings for all that is stuck. And as such, nothing short of a minor miracle.”<\/p>\n
Danced at the premiere by: Stijn Celis, Bernardo Gama, Gunilla Hammar, Vanessa McIntosh, Monica Mengarelli, Tali Paz, Veli-Pekka Peltokallio, Torunn Robstad, Pompea Santoro and Eytan Sivak<\/p>\n
Music:
\nGiuseppe Verdi
\nVanne … lasciami … ur II Trovatore, akt4
\nRecord recording: Maria Callas Rarities
\nEMI Classics, 0777 7 54437 2 1<\/p>\n
JS Bach
\nCome your daughters … the introductory chorus from the Passion of Matthew
\nRecord: Chicago Symphony Orchestra and Choir, Sir George Solti – Conductor
\nDecca 425 691-2<\/p>\n
Franz Schubert
\nAllegro molto moderato, c-moll ur 4 Impromptus, D.899, op.90
\nRecord recording: Hans P\u00e5lsson – piano
\nCSCD 94010<\/p>\n
Dave Barbour \/ Peggy Lee
\nManana
\nRecord Recording: The Best of Peggy Lee ‘The Capitol Years
\nCDP 7 90552 2<\/p>\n
Johannes Brahms
\nRondo alla Zingarese from piano quartet nr1, op.25
\nRecord recording: Emil Gilels piano, Members of the Amadeus Quartet
\nDeutsche Grammophon, 447 407-2 GIOR<\/p>\n
Lars-Eric Unest\u00e5hl
\nExcerpts from self-image training
\nRecord recording: Veje International AB<\/p>\n
Pierrick Hardy
\nTouetatou
\nRecord recording: BASS BASS BASS & BASS, L’Orchester de ContreBasses
\nMG 002\/08623 – 2<\/p>\n
John Philipp Sousa
\nSemper fidelis
\nRecord Recording: Sousa Marches, Band of the Grenadier Guards
\nDecca PFS 4134<\/p>\n
Alfred Schnittke
\nRondo ur Concerto Grosso nr 1
\nDisc recording: Kremer plays Schnittke
\nDeutsche Grammophon, 445 520-2 GIMA<\/p>\n","protected":false},"excerpt":{"rendered":"
\u00d6ver Bord (Over Board) premiered in the autumn of 1996 and was Linus Tunstr\u00f6m’s first work for the Cullberg Ballet. Following the opening in V\u00e4ster\u00e5s, Sweden, Martin Nystr\u00f6m wrote the following in Dagens Nyheter (Swedish national daily newspaper): “\u00d6ver Bord is, finally, a tribute to the transformative magic of performance as a genre. An abracadabra […]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-17792","archived_performance","type-archived_performance","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/archived_performance\/17792","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/archived_performance"}],"about":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/types\/archived_performance"}],"wp:attachment":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/media?parent=17792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}