{"id":17865,"date":"2019-01-22T14:50:28","date_gmt":"2019-01-22T14:50:28","guid":{"rendered":"https:\/\/cms.cullberg.com\/archived_performance\/dodsbo\/"},"modified":"2026-05-26T13:47:10","modified_gmt":"2026-05-26T13:47:10","slug":"dodsbo","status":"publish","type":"archived_performance","link":"https:\/\/cms.cullberg.com\/en\/archived_performance\/dodsbo\/","title":{"rendered":"D\u00f6dsbo (Death House)"},"content":{"rendered":"<p class=\"p1\">Renowned Swedish theater director Linus Tunstr\u00f6m is no stranger to the\u00a0world of dance and performance. Already in 1996 he was commissioned to create his first dance piece for the Cullberg Ballet titled <i>\u00d6ver bord<\/i> (Over Board).<\/p>\n<p class=\"p1\"><i>D\u00f6dsbo <\/i>(2005) was his second work for the company and had as its thematic undercurrent our human contempt for weakness, for the other and for ourselves. In Swedish the name <i>D\u00f6dsbo <\/i>could be translated as death house, or house of death. It refers to an apartment or home vacated after the death of its occupant. Ulla Kassius, a long time collaborator of Tunstr\u00f6ms, created the set and costume design which evoked a small, vacated mid century Swedish apartment.<\/p>\n<p class=\"p1\">Rikard Borgg\u00e5rd, composer and at the time artistic director of Teater Giljotin in Stockholm, composed the music.<\/p>\n<p>Music:<br \/>\nRikard Borgg\u00e5rd, specially composed for the Culberg Ballet, 35 minuter<br \/>\nTrad.\u00a0<em>So Lang Der Alte Peter-Grosse Gaudi In M\u00fcnchener Hofbr\u00e4uhaus<\/em>, 3,03 minuter<br \/>\n<em>German drinking songs<\/em><\/p>\n<p class=\"p1\">Publisher: EPM Musique 995212<\/p>\n<p>Trad. <em>Quanti martiri ha potuto passare<\/em>, 3,08 minuter<br \/>\nSicily, <em>Music of the Holy Week<\/em><br \/>\nAuvidis-Unesco D 8210<\/p>\n<p>Trad.\u00a0<em>Bella Ciao<\/em>, 3,06 minuter<br \/>\n<em>Cabaret Modern-Magic Mirror Tent<\/em><\/p>\n<p class=\"p1\">Publisher: Winter &amp; Winter 910101-2<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Renowned Swedish theater director Linus Tunstr\u00f6m is no stranger to the\u00a0world of dance and performance. Already in 1996 he was commissioned to create his first dance piece for the Cullberg Ballet titled \u00d6ver bord (Over Board). D\u00f6dsbo (2005) was his second work for the company and had as its thematic undercurrent our human contempt for [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-17865","archived_performance","type-archived_performance","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/archived_performance\/17865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/archived_performance"}],"about":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/types\/archived_performance"}],"wp:attachment":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/media?parent=17865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}