In what had become a tradition of sorts the dancers of the Cullberg Ballet presented a varied and rich even of their own work at Moderna Dans Teatern (MDT). Taking place in the spring of 2010, this series of performances marked the third time Moderna Dans Teatern (MDT) had hosted the Cullberg Ballet in this capacity.<\/p>\n
Cullberg Ballet’s dancers Anton Valdbauer, Victoria Roberts, Isaac Spencer and Marylise Tanvet created a solo each. Adam Sch\u00fctt and Rachel Tess co-choreographed a work, and Joaquim de Santana made a duet for dancers Anton Valdbauer and Sylvie Gehin Karlsson.<\/p>\n
Choreography \/ dancer: Anton Valdbauer
\nMusic: Clint Mansell, The Last Man, Tree of Life, John Murphy, The Beginning<\/p>\n
Thanks to everyone who made this evening possible. TD department, Nina, Malin, \u00c5sa. To Anna for everything. And specially to Maria Elena for her help, support, understanding and love.<\/p>\n
“Dreaming permits each and every one of us to be quietly and safely insane every night of our lives.”<\/em> Choreography \/ dancer: Victoria Roberts With thanks to Cullberg Ballet for this opportunity, and to James MacGillivray for his love, support and guidance.<\/p>\n \u201d<\/em>\u2026 Every education system on Earth is predicated on the idea of academic ability, and the consequence is that many highly talented, brilliant, creative people think they are not, because the thing they were good at at school was not valued or was actually stigmatized. There is not an education system on the planet that teaches dance every day to children the way we teach them mathematics. I think math is very important, but so is dance. Children dance all the time if they’re allowed to, we all do.\u2026 Creativity now is as important in education as literacy, and we should treat it with the same status\u2026 By the time they get to be adults most kids have lost that capacity, or rather get educated out of it. We stigmatize mistakes, and we’re now running national education systems where mistakes are the worst thing you can do, and the result is that we are educating people out of their creative capacities\u2026 \u201d<\/em> Choreography \/ dancer: Marylise Tanvet \u201cLe Vo (y) age is an interpretation of many emotional pathways. Worn by insoluble questions and tireless doubts. Have I lived in an illusion or was it for\u00a0real? Will I accept reality? Yes, it is in front of me and I confront it. A common struggle along the same path. “<\/em><\/p>\n Thanks to Anna, Sylvie, Oph\u00e9lie and my daughter F\u00e9licia.<\/p>\n Improvisation\/scenografi\/id\u00e9: Adam Sch\u00fctt och Rachel Tess Koreografi\/dansare: Isaac Spencer Who’s riding so late where winds blow wild<\/em> \u00abMy son, why cover your face in such fear?\u00bb<\/em> \u2039Sweet lad, o come and join me, do!<\/em> \u00abMy father, my father, and can you not hear<\/em> \u2039Will you, sweet lad, come along with me?<\/em> \u00abMy father, my father, o can you not trace<\/em> \u2039I love you, your comeliness charms me, my boy!<\/em> The father shudders, his ride is wild,<\/em> Adapted from the poem Erlk\u00f6nig <\/em>by Johann Wolfgang von Goethe 1782. Special thanks to Sebastian Gehrke.<\/p>\n Koreografi: Joaquim de Santana A path stayed in the memory<\/em> In what had become a tradition of sorts the dancers of the Cullberg Ballet presented a varied and rich even of their own work at Moderna Dans Teatern (MDT). Taking place in the spring of 2010, this series of performances marked the third time Moderna Dans Teatern (MDT) had hosted the Cullberg Ballet in this […]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-17928","archived_performance","type-archived_performance","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/archived_performance\/17928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/archived_performance"}],"about":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/types\/archived_performance"}],"wp:attachment":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/media?parent=17928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nWilliam Dement<\/p>\nOutside the Box<\/i><\/h2>\n
\nMusic: The Books, It Never Changes to Stop, 8 Frame, Antonio Vivaldi, Concerto No. 6, in A minor from L\u2019Estro Armonico, op. 3.<\/p>\n
\nAbbreviated from Sir Ken Robinson’s TED lecture, 2006, www.ted.com.<\/p>\nLe Vo (y) age<\/i><\/h2>\n
\nMusic: Trentem\u00f8ller Moan, Miss You Opto 11.45 p.m.
\nMy first Solo \/ Impro project, Work-in-progress.<\/p>\nMy Leg is Your Leg<\/em><\/h2>\n
\nMusik: Larkin Grimm, Little Weeper<\/em><\/p>\nErlk\u00f6nig<\/em><\/h2>\n
\nMusik: Hahn Rowe, Yellow Smile<\/em><\/p>\n
\nIt is the father grasping his child;<\/em>
\nHe holds the boy embraced in his arm,<\/em>
\nHe clasps him snugly, he keeps him warm.<\/em><\/p>\n
\n\u00abYou see the elf-king, father? He’s near!<\/em>
\nThe king of the elves with crown and train!\u00bb<\/em>
\n\u00abMy son, the mist is on the plain.\u00bb<\/em><\/p>\n
\nSuch pretty games I will play with you;<\/em>
\nOn the shore gay flowers their color unfold,<\/em>
\nMy mother has many garments of gold.\u203a<\/em><\/p>\n
\nThe promise the elf-king breathes in my ear?\u00bb<\/em>
\n\u00abBe calm, stay calm, my child, lie low:<\/em>
\nIn withered leaves the night-winds blow.\u00bb<\/em><\/p>\n
\nMy daughters shall care for you tenderly;<\/em>
\nIn the night my daughters their revelry keep,<\/em>
\nThey’ll rock you and dance you and sing you to sleep.\u203a<\/em><\/p>\n
\nThe elf-king\u203as daughters in that gloomy place?\u00bb<\/em>
\n\u00abMy son, my son, I see it clear<\/em>
\nHow grey the ancient willows appear.\u00bb<\/em><\/p>\n
\nAnd if you’re not willing, my force I’ll employ.\u203a<\/em>
\n\u00abNow father, now father, he’s seizing my arm.<\/em>
\nElf-king has done me a cruel harm.\u00bb<\/em><\/p>\n
\nIn his arms he’s holding the groaning child,<\/em>
\nReaches the court with toil and dread. –<\/em>
\nThe child he held in his arms was dead.<\/em><\/p>\n
\nTranslation by Edwin Zeydel, 1955.<\/p>\nResidual<\/em><\/h2>\n
\nMusik: \u00d3lafur Arnald, Himininn er a\u00f0 hrynja \u2013 En stj\u00f6nurnar fara \u00fe\u00e9r vel<\/em>, Thomas Dybdahl, Don\u2019t Lose Yourself<\/em>
\nDansare: Anton Valdbauer och Sylvie Gehin Karlsson<\/p>\n
\nStood in front of it and missed what never existed<\/em>
\nIn silence the trace of time is frozen it\u2019s the end of<\/em>
\nthinking about thinking.<\/em>
\nThe coldness of the known path is no longer felt<\/em>
\nWill you be my light<\/em>
\nI ask you cause you are me and I am you.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"