Imogen Heath is a Berlin-based artist working within the fields of filmmaking, installation, cinematography, lighting-design and as a producer within an autonomous queer art-making community.<\/p>\n
Heath is invested in expanding perspectives on desire, femininity and gender, rupturing chronological experiences of time to propose alternative histories and radical futures and image-making as a platform to investigate self-organised art-making cultures.<\/p>\n
Heath uses analogue film materiality and its chemical potential to ignite processes of transformation. In the artists\u2019 film, Sexual Chemistry,<\/em> an archive of friends, lovers and kisses are depicted coming together in touch, softening the boundaries of the body and depicting queer notions of being together in community but also a shifting community in decay.<\/p>\n Heath is a founder of the queer film-production collective NowMomentNow<\/em>, and a part of the food-performance group FOODGASM<\/em>, a satellite project of NowMomentNow<\/em>. NowMomentnow<\/em> has been disrupting the art- and film-making scene in Berlin since 2010, curating film-programs, events and producing DIY film projects.<\/p>\n Heath produces visual content for a diverse community of artists, musicians and performers. Ongoing collaborations include musician PlanningToRock (UK), choreographer Ian Kaler (Austria), film-director Marit \u00d6stberg (Sweden) and performer\/film-maker Liz Rosenfeld (USA).<\/p>\n Heath\u2019s work as cinematographer on the black and white 16mm analogue feature- film project The Lost<\/em> (dir: Reynold Reynolds) set in Berlin in the 1930\u2019s, was nominated for Best Cinematography for a Debut Feature Film at CamerImage Cinematography Film Festival, 2015<\/p>\n","protected":false},"excerpt":{"rendered":" Imogen Heath is a Berlin-based artist working within the fields of filmmaking, installation, cinematography, lighting-design and as a producer within an autonomous queer art-making community. Heath is invested in expanding perspectives on desire, femininity and gender, rupturing chronological experiences of time to propose alternative histories and radical futures and image-making as a platform to investigate […]<\/p>\n","protected":false},"featured_media":0,"template":"","personal_category":[],"class_list":["post-4736","personal_portraits","type-personal_portraits","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/personal_portraits\/4736","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/personal_portraits"}],"about":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/types\/personal_portraits"}],"wp:attachment":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/media?parent=4736"}],"wp:term":[{"taxonomy":"personal_category","embeddable":true,"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/personal_category?post=4736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}