{"id":11533,"date":"2020-04-11T22:21:56","date_gmt":"2020-04-11T22:21:56","guid":{"rendered":"https:\/\/cullberg.done.se\/?p=11533\/"},"modified":"2024-12-17T08:35:02","modified_gmt":"2024-12-17T08:35:02","slug":"man-grew-common-wisdom","status":"publish","type":"post","link":"https:\/\/cms.cullberg.com\/en\/man-grew-common-wisdom\/","title":{"rendered":"The Man Who Grew Common in Wisdom"},"content":{"rendered":"

The Man Who Grew Common in Wisdom (1989\/2019), work by Deborah Hay<\/h2>\n

Deborah Hay created The Man Who Grew Common in Wisdom<\/em> in 1989, dancing the piece herself. “Deborah Hay makes simplicity eloquent in her three-part solo”, said The New York Times the same year. For Hay, wisdom becomes the tangible experience of well-being within the ordinary world.<\/p>\n

In the frame of the RE-perspective Deborah Hay: Works from 1968 to the present<\/em> at Tanz im August 2019, Hay restaged her work with Cullberg’s dancer Eva Mohn. The trilogy is comprised of The Navigator<\/em>, The Gardener<\/em> and The Aviator<\/em>.<\/p>\n

2019-2021 Deborah Hay is associated artist at Cullberg, creating two works for the company. First out was Hay’s iconic piece The Match<\/em> (2004) with four Cullberg dancers that premiered at Tanz im August. In October 2019\u00a0The Match<\/em> and The Man Who Grow Common In Wisdom<\/em> will be presented together at Dansens Hus, Stockholm.<\/a><\/p>\n

The Man Who Grew Common in Wisdom<\/h3>\n

Choreography: Deborah Hay
\nDancer: Eva Mohn
\nOriginal costume for The Gardener<\/em> and The Aviator<\/em>: Susan Norwood
\nCostume made by: Skr\u00e4dderikompaniet\u00a0LiLaRo, Stockholm
\nCoach: Chrysa Parkinson\/Ros Warby<\/p>\n

Co-produced by: Cullberg, Tanz im August \/ HAU Hebbel am Ufer and DHDC Deborah Hay Dance Company. In collaboration with Sophiens\u00e6le in Berlin.<\/p>\n

More about The Match.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The Man Who Grew Common in Wisdom (1989\/2019), work by Deborah Hay Deborah Hay created The Man Who Grew Common in Wisdom in 1989, dancing the piece herself. “Deborah Hay makes simplicity eloquent in her three-part solo”, said The New York Times the same year. For Hay, wisdom becomes the tangible experience of well-being within […]<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"mc4wp_mailchimp_campaign":[],"footnotes":""},"categories":[2],"tags":[],"class_list":["post-11533","post","type-post","status-publish","format-standard","hentry","category-projects"],"acf":[],"_links":{"self":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/posts\/11533","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/comments?post=11533"}],"version-history":[{"count":2,"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/posts\/11533\/revisions"}],"predecessor-version":[{"id":11535,"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/posts\/11533\/revisions\/11535"}],"wp:attachment":[{"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/media?parent=11533"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/categories?post=11533"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cms.cullberg.com\/en\/wp-json\/wp\/v2\/tags?post=11533"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}